|
曲目 |
作曲者名 |
1 |
Omnis spiritus laudet Dominum (motet) (Thirds and sixths I) |
OBRECHT, Jacob |
2 |
Missa Malheur me bat-Kyrie (Thirds and sixths II) |
OBRECHT, Jacob |
3 |
Credo (Sixths with parallel motion) |
BRASSART, Johannes |
4 |
Credo (Parallel and contrary motion) |
BRASSART, Johannes |
5 |
Gloria (Parallel and contrary motion II) |
LEGRANT, Guillaume |
6 |
Agnus Dei (Parallel and contrary motion III) |
BINCHOIS, Gilles |
7 |
Missa Hercules dux Ferrariae-Sanctus (Soggetto cavato) |
JOSQUIN des PREZ |
8 |
Credo (Syncopation) |
DUNSTABLE, John |
9 |
Gloria (Complementary rhythms I) |
DUNSTABLE, John |
10 |
Credo (Complementary rhythms II) |
BRASSART, Johannes |
11 |
Credo (Parts together and separated) |
BOLOGNA, Bartolomeo da |
12 |
Gloria (Variable metre) |
CICONIA, Johannes |
13 |
Missa Caput-Gloria (Parallel and contrary motion) |
OCKEGHEM, Johannes |
14 |
Qui habitat in adiutorio (Tractus/Versus) (Plainsong melody with counterpart) |
ISAAC, Heinrich |
15 |
Requiem-Offertorium/Versus (Equal parts I) |
OCKEGHEM, Johannes |
16 |
Kyrie (Equal parts II) |
MARTINI, Johannes |
17 |
Credo (Landini sixth) |
BINCHOIS, Gilles |
18 |
Missa L'homme arme-Kyrie (Contrary motion) |
DUFAY, Guillaume |
19 |
Missa L'homme arme (The same head-motif in different movements) |
DUFAY, Guillaume |
20 |
Missa Ecce ancilla Domini-Gloria (Imitative germs) |
OCKEGHEM, Johannes |
21 |
Missa Ecce ancilla Domini-Sanctus (Counterpoint with syncopation) |
OCKEGHEM, Johannes |
22 |
Missa Ecce ancilla Domini-Sanctus (Imitative motive-fragments) |
OCKEGHEM, Johannes |
23 |
Alleluia Veni Sancte Spiritus-Versus (Plainsong melody with free counterpoint) |
DUFAY, Guillaume |
24 |
Requiem-Kyrie (a:Cantus firmus in both parts/b:with a counterpart/c:with imitation) |
OCKEGHEM, Johannes |
25 |
Credo (Cantus firmus with long notes) |
OCKEGHEM, Johannes |
26 |
Credo (Declamatory cantus firmus) |
OCKEGHEM, Johannes |
27 |
Credo (Cantus firmus with parallel accompaniment) |
OCKEGHEM, Johannes |
28 |
Missa Libenter gloriabor-Kyrie (Stress shift at the octave) |
OBRECHT, Jacob |
29 |
Missa Libenter gloriabor-Credo (Stress shift at the fifth) |
OBRECHT, Jacob |
30 |
Omnis spiritus laudet Dominum (motet) (Hidden imitation) |
OBRECHT, Jacob |
31 |
Factor orbis (motet-ParsII) (Imitative beginnings of motifs) |
OBRECHT, Jacob |
32 |
Missa Ecce ancilla Domini-Credo (Imitation with parallel motion) |
OCKEGHEM, Johannes |
33 |
Missa Malheur me bat-Gloria (Imitation with contrary motion) |
OBRECHT, Jacob |
34 |
Missa Ecce ancilla Domini-Credo (Imitation with parallel and contrary motion) |
OCKEGHEM, Johannes |
35 |
Missa Ecce ancilla Domini-Credo (Short imitated motifs) |
OCKEGHEM, Johannes |
36 |
Deus, Deus meus, respice in me (Tractus/Versus) (The same melody with different rhythm) |
ISAAC, Heinrich |
37 |
Missa Ferialis-Agnus Dei (Imitative beginning) |
MARTINI, Johannes |
38 |
Factor orbis (motet) (Short imitations I) |
OBRECHT, Jacob |
39 |
Missa La mort de Saint Gothard-Kyrie (Short imitations II) |
|
40 |
Missa Ecce ancilla Domini-Agnus Dei (A long imitative section) |
DUFAY, Guillaume |
41 |
Missa Ave Regina caelorum-Credo (Short imitations at the unison and at the octave) |
DUFAY, Guillaume |
42 |
Missa L'homme arme-Agnus Dei (Imitation with transposed motifs) |
OBRECHT, Jacob |
43 |
Missa Beata viscera-Credo ("Shadow"-imitation) |
OBRECHT, Jacob |
44 |
Missa Beata viscera-Credo (Imitation and sequence) |
OBRECHT, Jacob |
45 |
Missa La sol fa re mi-Sanctus (Transposed repetition of a motif) |
JOSQUIN des PREZ |
46 |
Missa La sol fa re mi-Sanctus (Varied transpositions of a motif) |
JOSQUIN des PREZ |
47 |
Missa L'homme arme-Gloria (Canon at the unison) |
BUSNOYS, Antoine |
48 |
Missa L'homme arme-Kyrie (a:Canon at the lower octave/b:Canon at the upper octave) |
BUSNOYS, Antoine |
49 |
Missa Mater Patris-Kyrie (a:Canon/b:Canon and sequence/c:Canon with repetition of a motif) |
JOSQUIN des PREZ |
50 |
Missa A l'ombre d'ung buissonet-Sanctus (Canon at the upper fourth) |
BRUMEL, Antoine |
51 |
Missa Descendi in hortum-Agnus Dei (Canon at the upper fifth) |
BRUMEL, Antoine |
52 |
Missa Ave Regina caelorum-Gloria (Canon at the upper octave) |
OBRECHT, Jacob |
53 |
Missa Ave Regina caelorum-Gloria (Descending sequence as a canon) |
OBRECHT, Jacob |
54 |
Missa Beata viscera-Gloria (Canon at the upper fifth) |
OBRECHT, Jacob |
55 |
Missa Beawta viscera-Gloria (Ascending sequence as a canon) |
OBRECHT, Jacob |
56 |
Missa Dominicalis-Gloria (Plainsong melody as a canon I) |
MARTINI, Johannes |
57 |
Missa Dominicalis-Gloria (Plainsong melody as a canon II) |
MARTINI, Johannes |
58 |
Missa Ecce ancilla Domini-Sanctus (Decreasing imitation ivtervals) |
DUFAY, Guillaume |
59 |
Missa Ecce ancilla Domini-Credo (Imitation with complementary rhythms) |
DUFAY, Guillaume |
60 |
Missa Petrus Apostolus-Kyrie (Mensuration canon at the fifth) |
OBRECHT, Jacob |
61 |
Missa L'homme arme-Sanctus (Mensuration canon at the unison) |
JOSQUIN des PREZ |
62 |
Missa L'homme arme-Sanctus (Mensuration canon at the unison) |
JOSQUIN des PREZ |
63 |
Missa L'homme arme-Sanctus (Mensuration canon at the unison) |
JOSQUIN des PREZ |
64 |
Missa Ecce ancilla Domini-Credo (Different possibilities of imitation) |
DUFAY, Guillaume |
65 |
Missa A l'ombre d'ung buissonet-Sanctus (Canon at the upper fourth) |
BRUMEL, Antoine |
66 |
Missa Malheur me bat-Gloria (Imitatio with syncopation) |
AGRICOLA, Alexander |
67 |
Vasilissa ergo gaude (The introductory canon section of an isorhythmic motet) |
DUFAY, Guillaume |
68 |
Missa Beata viscera-Agnus Dei (A long canon at the fifth) |
OBRECHT, Jacob |
69 |
Missa Adieu mes amours-Kyrie (Sequence as an augmented canon) |
OBRECHT, Jacob |
70 |
Missa Sancti Jacobi-Kyrie (Crossing of parts) |
DUFAY, Guillaume |
71 |
Missa Cancti Jacobi-Gloria (Crossing of pars with pauses) |
DUFAY, Guillaume |
72 |
Missa Sancti Jacobi-Sanctus (Variable metre) |
DUFAY, Guillaume |
73 |
Missa Sancti Jacobi-Agnus Dei (Accumulated syncopation) |
DUFAY, Guillaume |
74 |
Missa Ave Regina caelorum-Kyrie (Free counterpoint with internal imitationsI) |
DUFAY, Guillaume |
75 |
Missa Ave Regina caelorum-Gloria (Free counterpoint with internal imitations II) |
DUFAY, Guillaume |
76 |
Missa Ave Regina caelorum-Gloria (Imitation at changing metre) |
DUFAY, Guillaume |
77 |
Ave Regina caelorum (motet) (The same melody with different counterparts I) |
DUFAY, Guillaume |
78 |
Missa Caput-Sanctus (The same melody with different counterparts II) |
OBRECHT, Jacob |
79 |
Missa O lumen ecclesiae-Kyrie (The same melody in different movements I) |
OBRECHT, Jacob |
80 |
Missa O lumen ecclesiae-Gloria (The same melody in different movements II) |
OBRECHT, Jacob |
81 |
Missa O lumen ecclesiae-Credo (The same melody in different movements III) |
OBRECHT, Jacob |
82 |
Missa Se la face ay pale-Kyrie (Parallel and contrary motion with syncopation) |
DUFAY, Guillaume |
83 |
Missa Se la face ay pale-Gloria (The head-motif of the mass) |
DUFAY, Guillaume |
84 |
Missa Se la face ay pale-Credo (The head-motif with imitation) |
DUFAY, Guillaume |
85 |
Missa Se la face ay pale-Sanctus (Complementary rhythms) |
DUFAY, Guillaume |
86 |
Missa Se la face ay pale-Agnus Dei (Free counterpoint and imitation) |
DUFAY, Guillaume |
87 |
Sanctus-Ave verum corpus (tropus) (Dialogue of equal parts) |
DUFAY, Guillaume |
88 |
Missa Caput-Kyrie (Free counterpoint with syncopation) |
|
89 |
Missa Caput-Kyrie (Mass movements with the same beginning I) |
|
90 |
Missa Caput-Gloria (Mass movements with the same beginning II) |
|
91 |
Miss Caput-Sanctus (Mass movements with the same beginning III) |
|
92 |
Missa Caput-Sanctus (Mass movements with the same beginning IV) |
|
93 |
Missa Caput-Agnus Dei (Mass movemn\ents with the same beginning V) |
|
94 |
Missa L'homme arme-Sanctus (Imitation at changing metre) |
DUFAY, Guillaume |
95 |
Magnificat (Imitation and sequence) |
COMPERE, Loyset |
96 |
Miss La mort de Saint Gothard-Gloria (Canon and imitation) |
|
97 |
Missa La mort de Saint Gothard-Sanctus (Short imitated motifs I) |
|
98 |
Missa La mort de Saint Gothard-Sanctus (Short imitated motifs II) |
|
99 |
Missa de Sancto Donatiano-Credo (Imitation and counterpoint) |
OBRECHT, Jacob |
100 |
Missa de Sancto Donatiano-Agnus Dei (Imitation and sequence) |
OBRECHT, Jacob |
101 |
Psalmus 148:Laudate Dominum de caelis ("Shadow"-canon) |
BRUMEL, Antoine |
102 |
Missa Mater Patris-Sanctus (Canon and sequence) |
JOSQUIN des PREZ |
103 |
Missa Mater Patris-Agnus Dei (Canon with scales and octave leaps) |
JOSQUIN des PREZ |
104 |
Missa In myne Zyn-Agnus Dei (Small note values) |
AGRICOLA, Alexander |
105 |
Benedictus (Virtuosic sections of imitation) |
BRUMEL, Antoine |
106 |
Benedictus("Fuga ex una") (Canon) |
BRUMEL, Antoine |
107 |
Alma Redemptoris Mater (Accumulated syncopes) |
DUNSTABLE, John |
108 |
Alma Redemptoris Mater (Virtuosic upper part) |
POWER, Leonel |
109 |
Salve Regina (motet/tropus I) |
POWER, Leonel |
110 |
Salve Regina (motet/tropus II) |
POWER, Leonel |
111 |
Salve Regina (motet/tropus III) |
POWER, Leonel |