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It is a female chorus works by a composer Miklos Kocharu from Hungary.
It consists of seven songs with the texts from a poem of Naju Laszlo which was based on Hungarian revolution in 1956.
Because it is not a suite, it can be played by each song alone. "Karacsony, Fekete Gloria" is widely recognized as a repertoire of Puromujika Female Chorus in Hungary.

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It is a three voices mass that was composed by Ockeghem, the prominent composer in early Flemish school.
It is said that 14 masses, Requiem, 9 motets, Shanson motet for Banshowa memorial, and 21 chanson, are the only existing works of Ockeghem in his unknown life.
"Missa Sine Nomine" is one of 14 masses for three and five voices, and this is the three voices one. It can be performed by either male o female voices.
You can enjoy the sound of rhythm, Melisma that was born in this unique era.

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Fred Onovwerosuoke presents six authentic arrangements of African songs scored for upper voices and percussion. Published in two small collections - this set for SA and the second for SSA - the songs originate from a variety of locations, including Zimbabwe, Botswana, Nigeria, and the Republic of Benin. With texts to celebrate an assortment of themes, such as harvest, Christmas, play/leisure, and marriage, these arrangements are sure to delight all choirs looking for something a bit different.

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Claudio Monteverdi's "Vespro della Beata Vergine" is without doubt one of the most popular sacred works of the 17th century. Apart from the many available recordings, it is frequently performed in its entirety or in parts.
The Urtext edition of this well-known work has unusual origins. It originated from a graduate seminar at the University of North Texas, under the direction of the Monteverdi specialist Hendrik Schulze.

The result is an edition which combines the latest in musicological research specifically with the needs of the performer in mind. This has led, for instance, to a divergent evaluation of the "Lauda Jerusalem"oriented towards performance practice, with numerous additional accidentals and a new interpretation of the melodic variants from the different part books.
These new musical and performance practice insights make a modern interpretation of this 400-year-old work possible.

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The Glagolitic Mass, one of the 20th century masterpieces of sacred music, has a very complex genesis and constitutes an intricate editorial challenge.

This "final authorised version" is the significant version and most suited to performance purposes. The instrumentation is richer, it is more straightforward to rehearse and several important passages are more coherent than in the earlier version. It is the later version that is presented in the vocal score. The Old Church Slavonic text has been prepared by the slavicist Radoslav Vecerka.

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Drawing together two composers long associated with contemporary vocal music, Sun, Moon, Sea, and Stars presents eight original and exciting pieces by Bob Chilcott and Jussi Chydenius. Setting celebrated American and English poetry, as well as specially-written texts by Chilcott, this collection examines themes of nature, the elements, eternity, and love. The timeless character of the words is explored through a wide range of popular musical styles, including rock grooves, reflective ballads, and exuberant encores. With a cappella and accompanied pieces, optional bass and drum kit parts, and a variety of SATB textures, Sun, Moon, Sea, and Stars provides an array of compelling concert material for today's audiences.

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